Thought & talking comprise my “why” for this podcast series. Speaking to thought more specifically, three things which I find especially amazing about it: 1) how it directs our actions; 2) how it constructs our notions of meaning; 3) how it enables us to communicate/ how we communicate it. I believe art (which I define as contemplations and dreams) enables some of the most in depth glimpses into a person’s thoughts, how they think, and the focuses of their thoughts. In my case I like to identify and record contemplations and with as much clarity as I can, which is not only an aesthetic idea but encompasses my system of philosophical thought. I believe art tends to be an expression of one’s philosophy. I believe that art also stands beside journalism and history as in helping ourselves and posterity gain a fuller sense of understanding the human experience.
The idea of the “starving artist” is one, which during the first part of my time in South Beach, I revered and practically worshiped. It’s one thing to tell you about my “aesthetics” specifically, but quite another to tell you about how I conceptualized what an “artist” is, how I evolved in the sense of identifying myself as an artist, and the story behind that evolution.
This story begins with my father who was a photographer and a painter who possessed extreme (maybe excessive?) fascination with female sexuality, nudity, and pornography, and who exposed me to the imagery of female sexuality before I was even a teenager. It was through my father that I was also exposed to and influenced by the works of Picasso and Van Gogh. As far as my own interests were concerned, by the time I was 9 or 10, I discovered the world of television, movie acting, and John Travolta. In fact, Travolta became my hero and idol. I became a sort of expert on his career and he is one of the earliest direct influences in my attempts to conceptualize art, as well as career, and to have a career as an artist.
Even before I developed a conscious love for movies and acting I was, it seemed, inherently creative. I would pretend my life was a series of television shows. I would determine theme songs of these “TV shows” and when nobody else was around, I would ever pretend to give interviews about them or explain what had happened “previously on…” whichever imaginary show, or what would happen in the next “episode.”
Through studying the works of Travolta (along with Tom Hanks and other actors) I grew exposed not merely to film acting performances and a notion of career, but also I became a kind of autodidact of film in general, specifically film dialogue and the themes in movies, such as race relations, the Holocaust, American history, love, art, et cetera.
The girlfriend I had while living in South Beach, was, herself, an aspiring filmmaker with a profound passion for film. By the time I was living in South Beach I was more interested in poetry than film but the notions of art and film that propelled my artistic inclinations as such were so deeply embedded within me that despite other problematic aspects of our relationship, our shared love for film became a foundation for our romance.
(TO BE CONTINUED…)
***PUBLIC COMMENT is a podcast presented in the form of extemporaneous personal essays about a political, philosophical and artistic millennial as he tries to wrap his mind around the complexities of the human experience.****
These many contextually loaded “thoughts” I have….like my favorite writers– Montaigne (the genius philosopher and personal essayist– how he is able to combine the two amazes and inspires me… to combine them but via podcast…spoken word….extemporaneous ((but more on other aspects of aesthetics another time…)) Dostoevsky, Musil & Proust: oh, his 20+line sentences…)))– these thoughts, which one cannot even empirically seem to find and which nonetheless move us to speak, write, act, et cetera….in the days of Montaigne, one would call it a very active “imagination.” I just want to be transparent, direct, up front, straight-forward about them with you, and that it happens to be (is a genetic thing, or a deeply held, maybe in some aspects, subconsciously intellectual thing?) that this is how I happen to express myself with as much honesty as I can. That’s what this episode is about.
*” I used to talk to myself quite a bit and what I would do is I would pretend that I was being interviewed. Some long, long, in-depth interview about my success. I’d pretend it was many years later and I would talk and I would sort of go on and explain my thoughts on things and that was just something I did. It was just a weird habit. I don’t really do that anymore. Not positive when I stopped doing it but… I used to… for example, pretend I was being asked questions about my poetry or ask questions about whatever it was I was writing or philosophers I was interested in, or those kinds of things… and it was… I mean I would feel weird about it.
“I would think there must be something wrong with me but it didn’t stop me from doing it and there are different motivations for it at different times …I was really young…a kid or teenager. What really started all that though was combination of… it was very influenced by TV… as a kid as I think many of us millennials probably…we had TV Before the Internet was really a thing… TV was like our big…was the big mental consumption of our youth… probably pre-Internet youth. I imagine that the Z. Generation… younger people… younger than millennials probably take in more computer stuff and they’re probably a bit different psychologically just from that context alone but I digress… but the thing is. ..I like to digress which I take from Montaigne… but I’ll talk about that later. You probably wondering where it was going with his yes today. I’m talking about my own verbosity… (4:20-6:40)
* “I cannot say in one sentence what I want you to know and I don’t mean that out of pretentiousness or arrogance…. some people are just tall or just short. Some people don’t say so much …” (12:00)
* “I have a definition of “thoughts” that doesn’t quite go with the definitions that dictionaries provide” (37:00)
*”I tend to have a very active brain. That is a reason why I suffered pretty severely from insomnia and need to be on both Effexor and Lunesta… it helps me put my thoughts at a better pace… one reason why it was not a good idea for me to smoke pot. One of the things that would happen actually is either smoking pot would induce racing thoughts unlike I ever experienced before or smoking pot would create such a sort of pause in my pace of thinking that it was actually shocking… literally shocking!” (56:00)
*”Sex is a very fascinating topic. I will talk about that in the future …thoughts on sexuality… particularly the idea of… you know… like the question of how private should we be about sex… and then there’s the whole phenomenon of you know exhibitionism, voyeurism, swinging… these kinds of approaches to human sexuality that are perhaps not so widely endorsed by people and is there a reason for it. I don’t… I’m not gonna get in to it now except to say that I try to have a viewpoint of liberality with respect to how people express themselves sexually… as long as they’re not hurting, abusing anybody. That’s besides the point… self expression… but see… that’s the whole point… is that I like like to say these are things that I think about… (1:15:09)
***Produced by: Ashley O’Connor and Montaniz Stills!
Thank you again for visiting the Public Comment, a multimedia website that embraces social democracy and a holistic pragmatic clarification of concepts and seeks to promote a universal dialogue about politics and philosophy among intellectuals, politicos, artists, and humanists– the critical, creative, and introspective thinkers; a dialogue I hope you’ll join in the comments below.