On cynicism, meaning and purpose

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A successful individual said I might want to consider quitting in my podcast endeavor because nobody will care unless I make up lies to get your attention. A student tells me a professor insisted that this student write an essay arguing that art is pointless because artists don’t tend to make money and because art doesn’t cure diseases. These kinds of things perhaps make it tempting to feel cynical about human nature and life. But should one really surrender to cynicism and nihilism or is there more to this world than obsession with money and power? 

Hi! Thank you for visiting Public Comment and welcome!

I’m Sean O’Connor, a political activist, philosopher, writer, vlogger and podcaster. My goal here on Public Comment is to contribute to a universal dialogue of critical, creative, and introspective thought on politics and philosophy.

Thank you so much for taking the time to consider my contribution to the public discussion on politics and the occasional tangent. I am extremely grateful and flattered and hope you are able to find some of the information on this blog valuable.

Please feel free to share with me any feedback you want to give, positive or negative. I do not shy away from criticism. I want to be a good writer and to do that I will always need your help to keep me accountable, clear, reasonable, and diplomatic. Speaking of diplomacy, that’s my only caveat when it comes to criticism. I don’t have patience for insults or anti-intellectual attacks on character, et cetera. I like to foster a polite and diplomatic civil discourse.

Thank you again.

https://www.podbean.com/media/share/pb-y2555-b80fef

On my conversation with Clean Water Action New Jersey (Vlog)

So, I’m in search of political organizations to establish relationships with and collaborate with in the efforts to bring more about more global justice. Clean Water Action New Jersey was one organization I decided to interview with and see how we might work together. Maybe we will become allies in the future but as I was a little concerned with some of the organizations approaches both to its employees and in its political planning/lobbying priorities.

Hi! Thank you for visiting Public Comment and welcome!

I’m Sean O’Connor, a political activist, philosopher, writer, vlogger and podcaster. My goal here on Public Comment is to contribute to a universal dialogue of critical, creative, and introspective thought on politics and philosophy.

Thank you so much for taking the time to consider my contribution to the public discussion on politics and the occasional tangent. I am extremely grateful and flattered and hope you are able to find some of the information on this blog valuable.

Please feel free to share with me any feedback you want to give, positive or negative. I do not shy away from criticism. I want to be a good writer and to do that I will always need your help to keep me accountable, clear, reasonable, and diplomatic. Speaking of diplomacy, that’s my only caveat when it comes to criticism. I don’t have patience for insults or anti-intellectual attacks on character, et cetera. I like to foster a polite and diplomatic civil discourse.

Thank you again.

TABLE OF CONTENTS

On money & value (Vlog #53)

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It’s embarrassing to discuss my struggles with money. For me at least, it’s harder to talk about money than sex, religion, or politics because it forces me to address my deep insecurity regarding how I might be perceived based on my “economic status.” Maybe some think I’m audacious for trying to make a living as a vlogger but I’ve got to stand up for my desire because I want to live in the kind of world where people can make money fulfilling their dreams.

***THE NOTES***

*Only death & illness are harder for me to discuss

*I’m not “good at” money & I fight with my self-esteem when contemplating my financial life

*What it means to love one’s job

*Free talking…upfront….sharing thoughts

*The temptation to envy those who earn more money

*My financial difficulties are, to a tremendous degree, my fault…I take responsibility for it

*I like being upfront about things that matter to me

*If there are people out there getting paid for things they want to get paid for then why shouldn’t I try to get paid for what I want to get paid for?

*Talking about money makes me so nervous I trip over my words

*Remember when we had to pay much more for video content?

*You must stand up for your values

*To me vlogging is art (& so is talking)

*Being an “outside-the-box” person

*One reason why I love politics is because moving policy forward can move humanity forward ethically

*Would you overlook your ethics if someone offered you the money to do so? (figurative prostitution, “Selling your soul to the Devil,”)

*Sometimes I get overwhelmed with this feeling that everyone wants my money

*I don’t want to be a f**** up when it comes to money

*I fear how many can corrupt relationships

*I’d like more time to read, watch vlogs, socialize on social media, be a philanthropist…

*Opening up about this is so embarassing

*I hate complaining that my work doesn’t get properly compensated but don’t so many of us feel that way sometimes?

*I tell myself that if I like my vlog then maybe someone else will too

***IF YOU APPRECIATED THIS VLOG PLEASE CLICK “LIKE,” SHARE, & SUBSCRIBE 🙂

On my Atheism Phase, “Universally Speaking,” As Anthony Kiedis Puts It (Sean O’Connor’s Public Comment video diary vlog– episode #18)

I dismiss entirely a notion I believe is in part upheld based on postmodern type grounds that confine people to little groups of their own values which have nothing to do with groups beyond theirs… (even if so called intellectuals want to think themselves the only people who can intellectualize in a meaningful way)– I mean…this is not directed to so called “intellectuals” though I admit there are grounds to describe my tone as “intellectual” or “esoteric”

TRANSCRIPT:

Hey ‘y’all! (Yes, yes, my fondness of the expression “‘y’all,” despite my coastal, NJ/NY Metropolitan intellectual “Yankee” ((?)) upbringing and cultural practices ((?)) manners of putting things ((?)) continues to grow)

I understand, based on viewer feedback that I might want to try not speaking so slow. Why do I do it? Can I blame my poetry phases? My acting phases? I don’t know. I do like the weight of a word.

Anyway, I want to ask you: do you identify with any particular religion?

I mean, when “push comes to shove” as they say (Yes, I love to say “as they say” and I love those little sayings “they” say— of course…who is they? Some mysterious crowd of people in our minds?) …

I mean, when faced with your sense of mortality or your contemplations on the subject of life in a general way…you know…that very wide angled panoramic view of our births, our childhoods, teenage years, young adulthood (ah…channeling Walt Whitman’s genius poem “Eidolons” here?) the intense desire for sex and whether or not you believe in the depth of romantic relationships, and whether or not you believe in monogamy, marriage, parenthood, sense of purpose, sense of meaning….the meaning of the work you do and the money you make, spend, save, how much you do or do not care about how what you do impacts your health, what you make of social life, whether you want friends, what those friendships are supposed to be like in your mind, how you handle disagreements, when you think about what care about, what some of us might refer to as your “values” or “priorities” or “interests”– when you feel sad and reflect…do you in that context call yourself an Atheist, a Muslim, a Jew, a Christian, a Sikh, a Buddhist? (Just to name a few “religions” or “ideological identities” of the many possibilities).

To what extend have you, within the greatest depths of your convictions, justified, on the granular level, those kinds of religious, ideological, philosophical beliefs you have?

I remember the first ideological/philosophical/religious thought I ever had.

Now, I don’t know where I first heard of the concept of a “God” but I remember at roughly three years old, I asked my grandmother if God was a boy or a girl and my grandma said: “God is whatever you want it to be.”

That is one of the earliest memories I have in general and perhaps closest to the vertabtim of any of my early childhood memories.

I don’t know when it occurred to me that my father’s side of the family was theoretically “Christian” and my mother’s “Jewish,” but I remember when a dear friend of mine asked me what my religion was. I was not older than 13 when that happened and first I joked and said I was Jatholic because all I knew was that there was contradictory religions professed in my complex family with mother, father, stepfather and stepmother all possessing very unique ideological notions.

My dear friend pressed me to really think about what in fact I identified with regarding religion.

I got to thinking about “Santa Clause” which I knew was a lie by then (or a fun, make-believe idea perhaps we want to call it?)

I got to thinking about scientific concepts such as empiricism (terribly ironic too because I failed Math class and didn’t care at all about science…yet science reined supreme in my mind regardless of my interest in it)

No. I did not know the word “empiricism” or if I did, I don’t remember knowing  or using it then. But it did appear to me…whatever God could theoretically be, it is beyond empirical reach…and absent any legitimate scientific proof as far as I could understand, atheism seemed a perfectly fair mentality to me.

And I thought….the God idea is exceptionally comforting…and I thought…interesting that someone would claim to be the son of a God with no proof and people just believe it…and just believe these heaven and hell ideas. And they have the pretentiousness to tell you that God is something you just have to be primed to “feel” and have “faith” in and if you can’t there is something wrong with you.

I became a full fledged atheist and yet my best friend at the time was what he called a “Seventh Day Adventist Christian.”

Our deepening ideological differences, as opposed to creating some kind of crack in our friendship, appeared to give it tremendous strength. I cannot begin to tell you how many countless hours this individual and I spent debating, from every angle we could, the question of why one should or should not believe a God exists.

And moreover, how should people regard a text such as the Bible?

And…what would the implications of these things be? For example, from certain Seventh Day Adventist Christian perspectives I was exposed to, various aspects of sexuality were regarded as sin.

No sex before marriage.

No masturbating.

No lust.

That always troubled me as much as the notion of a God. I thought the notion that a person should not masturbate or explore his or her sexuality was one of the most absurd notions one could possibly come up with.

And there was music many of these kinds of Christians were not supposed to listen to, and ideas of women as subservient that some of these Christians possessed, and a perplexing fixation on Republican politicians…

Other questions that were raised… from the perspective of many who believe in God– I came to learn from this friend of mine-. For example: since God absolutely existed, they thought, truth in general was an absolute thing.

So this was all an introduction for me to the questions of “philosophy” and ethics.

I wonder…if it were not for this brilliant person…this deep, intellectual, philosophical thinker I was so lucky to meet, whether I would have delved so deeply into those topics so many people I know refer to as intellectual or philosophical.

Beyond the scope of the atheism versus Christianity debate I had with this person and then others as I began to develop my own beliefs….and whatever questions arose in this realm…I never thought about concepts such as “philosophy” or “intellectualism.”

I didn’t even…as a teenager, know the meaning of “philosophy” and ironic as this may seem, anyone who, at that time, might have thought themselves “intellectual” was probably somehow — I don’t know how I arrived at this conclusion– detached from life in a more visceral sense.

Because I was an “artist.”

I wasn’t troubled by (or in fact in possession of the confidence to contemplate) notions some might consider “esoteric.”

I want to digress briefly on this concept of the esotertic here.

I am very opposed to a real niche type approach to communication—that is to say, I try to the best of my ability to speak to you in as universal a way…as universal a perspective as I can.

And what do I mean by that? By Universal?

I mean…I don’t view myself as talking exclusively to “intellectuals”  or “artists” or “academics” or “YouTubers” or “Facebookers” or “millennials” or my contemporaries…I mean…for all we know…someway and somehow, this video file will reach an alien life form that can somehow….decipher it.

My point is this…I dismiss entirely a notion I believe is in part upheld based on postmodern type grounds that confine people to little groups of their own values which have nothing to do with groups beyond theirs… (even if so called intellectuals want to think themselves the only people who can intellectualize in a meaningful way)– I mean…this is not directed to so called “intellectuals” though I admit there are grounds to describe my tone as “intellectual” or “esoteric”

((Oh, that reminds me of another “conviction” I had growing up as a kid and a teenager…I didn’t believe in cliques….didn’t want to belong to, confine myself to, or identify with a clique…I didn’t want to be a “jock” or a “nerd:” or a “dork” or a “geek” or a “stoner” or a “goth” or a “punk” or an “emo” or a “band geek” or a “theater geek” or a “bad kid” or any type of group-oriented identifying thing… (though naturally I was an atheist in a purely objective and descriptive sense).

This actually contributed to chronic loneliness as everyone around me seemed to gravitate towards a particular crowd and even when I did gravitate this way or that way I never felt bound to or married to my gravitation.

Getting back to my point here… I’m not targeting anyone IN PARTICULAR here.

What’s that line by Anthony Kiedis from the Red Hot Chilly Peppers?

“Universally Speaking I win in the long run”

And this chain of particular thoughts is to be continued because it’s complex and who doesn’t love a good “to be continued?”

LOL as I love to say. Talk to you tomorrow


Public Comment is a personal journal vlog where I share my free thoughts on politics, culture, and self.

Please feel free to share your thoughts with me at sean.publiccomment@gmail.com or follow me on Twitter at 
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On Acquainting Myself With Technology, Determining What’s Interesting, and Friendship (Sean O’Connor’s Public Comment video diary vlog–episode #10)


I suffer from extreme ignorance with respect to all things STEM so this new phase of learning about computer and internet technology– specifically dealing with live and recorded audio and video files– is challenging. Still, I find it fascinating and relevant to culture awareness and literacy. If only that was enough to keep all my treasured friendships afloat.
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So since I can’t afford the best equipment just yet, and since I lack any kind of support staff some of the technological aspects of my presentation, alas, suffers. At some point in life one must, if one suffers from degrees of perfectionism, come to terms with the fact that one simply cannot do it all. I read about this earlier today on a website that is new to me: fastcompany.com– a technology news site of sorts, it seems. “Make peace with incomplete knowledge” is what the article suggested.

I’m working on it!

One of my struggles, which you may have heard me mention earlier, is that I get so flustered trying to research everything I want to learn, trying to pay attention to as many aspects of the world around us as I can, trying to be what some may refer to as a “well-rounded person.” (Political news, entertainment news, podcasts, radio, art work, history books, social media, business news, technology news, blogs and vlogs, et cetera….) I accept and I am in the process of making peace with the fact that nobody can be perfectly well-rounded. (I mean, I get it…nobody can be perfect at anything. But still, one wants aims, standards, et cetera, right?)

Focusing on politics, culture and introspection as may three main topics of interest help me find a sense of balance. That may seem counter intuitive, especially with respect to culture. Isn’t culture such an endless thing? Yes. But if I think in terms of getting a look today at just one, or just a few key aspects of the culture, and other aspects tomorrow, then that helps relax me. (As opposed to saying: an article on psychology for ten minutes, then another ten minutes on real estate, on but then what about technology news?…If I just think…pieces of culture…I have a topic and I can free think based from that center).

If you know me or if you take even a quick look at my website, the depth of my interest in politics is pretty blatant and substantive, but what about my love for introspection?

I see introspection, I think, on two levels– the private, and that which I consider with sharing. How does one decide what to keep private and what not to keep private? A friend of mine said there is really nothing one must keep private, though context of course, he said, does matter. Why talk about say, issues relating to what happens in the bathroom if it’s arbitrary?

I love having friends, but it brings me tremendous chagrin to think of friendships that either I have lost, or that seem as though I have lost. I hate to think I played any role in the destruction of friendships and relationships I’ve been a part of but I aspire at least to preserve those relationships I’m blessed with today, and hope to revive lost relationships some time in the future.

On Graduating College (Sean O’Connor’s Public Comment video diary vlog– episode #8)


-From an F in Math in fifth grade to a 3.98 GPA and a Bachelor’s Degree in Liberal Studies at 33 years old… my views on education have evolved significantly-

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The philosopher and writer Michel de Montaigne– whose work I had the opportunity to study in college– continues to influence and inspire me. I revere his contribution to the development of the “personal essay” and the written treatment of individual subjects from the perspective of reflection on experience with/connection to such subjects. In this context one can learn about the person in particular, the human soul in general, the topic, in a conversation as opposed to a lecture or pure argument. And in the case of essays such as the sort Montaigne wrote, there’s the freedom to digress, in his case, in and out of history, philosophy, politics, et cetera.

I think of Montaigne now, as I contemplate my extemporaneous, thinking-out- loud- as- I- go approach to vlogging and podcasting, and as I touch on the subject of graduating college, from the perspective of someone who once received an F in fifth grade and dropped out of college multiple times to someone who fell in love with academia, graduated with a  3.98 GPA and was granted the privilege to speak at his college graduation. That is to say, there is, among the ironies, the irony that while I possess some “academically” derived thoughts on my academic experiences—I mean, based on scholarly articles, and university research from which I could merely synthesize that sea of research—I could not speak with accuracy if I detached from my personal connection to this subject.

To graduate at 33 as opposed to 22 years old, at points in my reflection, brings sadness and regrets because sometimes it can seem like all this does is confirm some notion of myself as slow compared to my smarter peers. Yet I don’t think that way about those who are my age or my elders who earn their college degrees later than is “conventional.” That would be to do what Ayn Rand referred to as “context dropping.” As one former professor of mine once said, “you never know where you are in someone else’s narrative.” She was actually citing a former professor of hers. Moreover, what is the problem with not going right to college or never going? College simply offers an array of specific opportunities to receive specific sets of knowledge. Seemingly countless resources of knowledge exist beyond the college setting. What matters is not whether one attends a university or not but rather the question of what one seeks to learn and what one aspires to achieve with that knowledge. (This is not to say that I downplay the incredible value, especially of community, that various types of schools, whether university, college or trade school, can offer. I think too much autodidacticism might lead to isolation and a kind of anti-social philosophy; at least this turned out to be the case in my experience).

Central to the context behind my academic struggles was mental illness (depression an anxiety specifically) combined with incorrect and poorly defined, fundamental philosophical principles. Even when I possessed a scientific epistemology, I didn’t think about how it applied to much more than science. I had no real sense of values. Not because my family failed to instill them but because I wasn’t taught, in high school, any kind of serious intellectual presentation of theories of values and ethics. How much of a difference would that have made? How much difference would consistent mental/psychological check-ups have made? I don’t believe in torturing myself with “what if’s” but I do like gaining an understanding of context behind how events transpire. That is something I gained from the many history courses I took.

So, with psychological and philosophical reasons for detaching from “school” from elementary school through my first few years of college, I retreated to the arts. In my childhood, horror stories, movies, writing, and acting were my refuge.

As inclined to the arts as I may have been, with very few exceptions, I treated my artistic endeavors with profound narcissism. That is to say, the concentration I put into writing, passionate though I may have been in some sense, I feared any kind of real feedback and thus, while I always hoped for people to praise whatever poem or performance I shared with them, really, alas, I didn’t think about it as constructive feedback to help me produce anything meaningfully consequential. It was largely my escape from academic standards at play.       

By my sophomore year of college—when I attended Florida Gulf Coast University—I experienced further ironies. While convinced of my incompetence and lacking “belief” in knowledge, I was nonetheless engaged in philosophizing and extracurricular study of poets who interested me, including Kerouac, Ginsberg, Dylan, Morrison, Rimbaud, Baudelaire, Ovid, Sappho, Shelley, Lennon—all the ones I considered the “rebels” of poetry. Even after I dropped out (then returned, then dropped out again, then returned, then dropped out again…), I remained avid as a reader, and persistent in my desire to be something of an intellectual artist or an artistic intellectual, delving into Nietzsche, Schopenhauer, William James, John Dewey, Dostoevsky, Napoleon Hill and eventually Ayn Rand.

My Ayn Rand phase with even more ironic yet because I became an “objectivist” who now believed in “knowledge” staunchly so, and spent all my free time reading non-fiction books, yet I still maintained my “anti-academia” perspective. This newfound objectivism, alas, failed to facilitate my eradication of the frustrating poverty and tedium of cashiering, even when it led to my first run for political office. As I thought more and more about my life logically it occurred to me I ought to return to college and there I saw, gradually, the pile of contradictions that made up my puritanical sort of “objectivism” (I call myself, for a lack of better words thus far, a “clarificationist” because I believe we can strive for objectivity and gain ever greater clarity but never quite get a point of absolutism or pure objectivity). Likewise, I saw the flaws with my libertarianism as I took courses on poverty, Native Americans, women and the law, the Holocaust/Nazi Germany, the U.S. judicial system, et cetera, and learned how leaving people “free” to exploit and abuse leads to exploitation and abuse. Not in every case, but often enough that it remains rampant today.

I thought, as my college education reached its final chapter, that an MFA in Creative Writing was in my future. This seemed to me the ultimate way I could build a community of greater person- to -person understanding, empathy, intellectual freedom or free thought (which is what Creative Writing came to mean to me as a concept) (I mean, as a “creative writer” and professor of the subject) and even though I’ve been offered an opportunity to study at graduate school, the last five months out of college have thrust me into deeper questions about the meaning of practicality, contributing the world, making money, finding a place in these revolutionary times, and making the most of the college education I received.

Personal Essayist and Memoirist Elissa Washuta Combats Stereotypes and Promotes Wellness Via Her Indian Identitity

-My Senior Capstone Essay

A 2008 experiment was conducted to gain a sense of the impact that stereotypes surrounding Native Americans have on Native American children.[1] Considered stereotypes “include[ed] the Cleveland Indian mascot, Disney’s Pocahontas, [specific] negative stereotypes [such as] dropout rates, rates of alcohol abuse, and depression rates.”[2]  The researchers discovered that “exposure to prominent media portrayals led Native American high school and college students to have more negative feelings about their self [i.e., decreased self-esteem] and community [i.e., decreased community worth], and depressed academic future possibilities [i.e., diminished achievement related possible selves].”[3] This suggests that stereotypes are harmful.

One seemingly obvious way to combat stereotypes (which overgeneralize our ideas about a group of people, ethnic or other) is to think of people not first and foremost as members of a group, but as individuals. As the Cowlitz Indian tribe member, personal essayist, Assistant professor of English at the Ohio State University[4] and University of Washington American Indian Studies advisor[5] Elissa Washuta says, “I still see people lock others into the same old, tired, damaging stereotypes of what a representative member of an ethnic group should be. But the massiveness of information out there online makes identity confusion hugely easier for me, and probably for a lot of others as well, because so many people have outlets for their stories that did not exist before. We have the good fortune of learning about individual experiences, which can break up false ideas of monolithic stereotypes.”[6]

Washuta is a compelling individual to contemplate with respect to identity and ethnic identity, not merely because she is an American Indian (both Cascade and Cowlitz)[7], or because she in fact, has a complex ethnic background (she is also a mix of Irish, Scottish, Polish, Ukrainian, German, Dutch, Welsh, and French)[8] but rather, because she is also a personal essayist.

Personal essays are especially unique in literature. As Columbia University professor of Creative Non-Fiction Philip Lopate[9] writes in an extensive collection of personal essays from the first century (A.D.) to the 1990’s written by authors from all over the world, “the personal essay has an open form and a drive toward candor and self disclosure.”[10] Lopate adds that “The unashamed subjectivity of the personal essay makes it less suspect in a mental climate in which people have learned to mistrust the ‘value-free, objective’ claims of scholarship and science.”[11] If by “unashamed subjectivity” Lopate means the freedom to include one’s most intimate and personal feelings, my conjecture would be that it is reasonable to infer from his definition/understanding of the personal essay, that this openness provides a place for a holistic, intimate, deep, qualitative examination which strictly academic sociology, psychology, and ethnic studies may not reach, due to specialized, technical disciplinary vocabulary, strict and delineated research methods, dropped context within statistics, et cetera. Moreover, Lopate’s distinction between “the ‘value-free, objective’ claims of scholarship and science” and the personal essay, seems to suggest his belief that the personal essay can offer a meaningful perspective that “scholarship and science” cannot, adding to a fuller understanding when all perspectives are considered.

In this paper I will argue that through Washuta’s memoir My Body Is A Book of Rules  (which she says can also be viewed “as a series of interlinked essays,”[12]) other personal essays she has published on websites such as the Chronical of Higher Education, Salon, and Buzzfeed, and interviews she has given, the complexity of Native American identity and personal identity more generally, are illustrated. I will show how, in particular, Washuta rejects the notion of quantifying what she often calls her Indianness[13] (in part as an opposition to the blood quantum concept, in part due to psychological harm that quantified Indianness has done to her) and yet still retains a distinct Indianness within her more holistic sense of self (the various aspects of her that make her who she is) that has evolved from a Catholic school girl turned anti-Catholic, to a traumatized rape victim,  to someone suffering from bi-polar disorder, to someone who comes to see herself empowered.  A final element of my thesis is that there is likely a relationship between the retention of her distinct Indianness and her sense of self-empowerment, in part because in sharing her distinctive Indianness, as I quoted Washuta saying in her own words earlier, it combats or attempts to combat stereotypes of Indians.

Rejecting the quantification of Indianness

A so called degree of Indianness was initially a British-North American- colonial concept,[14] not an American Indian one. As anthropologist Gregory R. Campbell[15] and Professor of Anthropology and Native American Studies, Dr. S. Neyooxet Greymorning[16] explain:

“kinship rather than biology was the core component of both societal composition and individual ethnic affiliation. Every indigenous society had sociological mechanisms for the incorporation of individuals and, sometimes, whole groups by adoption, naturalization, or other ethnogenetic processes…most indigenous nations…integrated people from other societies…[including n]umerous Europeans and Africans…without any phenotypic or cultural stigma.”[17]

British colonists in North America, while writing treaties with Native Americans invented a so called “blood quantum” concept which “defined ‘Indian’ in legal terms.[18] In her personal essay “I am Not Pocahontas” Washuta explains the concept of “blood quantum” as:

“the degree of Indian ancestry expressed fractionally, as a consideration when defining their [tribal] membership. Contemporary determinations of blood quantum often look back to base rolls, records of tribal membership, often created by non-Indians. Determinations of blood quantum are made by establishing proximity to the ancestors listed on these rolls.”[19]

Although Washuta does not explicitly say when the word “blood quantum” itself was first used, she does reference what she claims to be the first time American Indians were subjected to “ancestral fractionation,”[20] citing “a 1705 Virginia statute barring a ‘mulatto,’ or ‘the child of an Indian and child, grandchild or great grandchild of a negro’ from holding public office”[21]

This “blood quantum” concept underlying mainstream American notions of Native American ethnicity makes Washuta sensitive to questions about her Indianness. She writes that the question:

“‘How much Indian are you?’, however well-intentioned, implies that alive within me is only a tiny piece of the free, noble Indian that passed on long ago, a remnant from which I am far removed. The questions, individually, are borne from a place of curiosity, but the questions have embedded in a time when blood quantum was used to rob indigenous peoples of rights and, ultimately, lead to our being defined out of existence.”[22]

           

Here Washuta tells us she rejects any limit to how Indian she can be and at least in part rejects it on the grounds of the anti-Indian sentiments (she’s referring to that aspiration “to rob indigenous peoples of rights” and have them “defined out of existence”) she says fuels the concept of degree of Indianness.

The question “how much Indian?” can be problematic for other reasons too, which we learn when Washuta tells us about her personal experiences. In a podcast interview for Montana Public Radio Washuta discusses how upon receiving a “merit scholarship”[23] from the University of Maryland, some people suggested, with resentment, that it was because she was a Native American, not because she deserved it.[24] She told the woman interviewing her that “people in my high school and then in my university gave me a really, really hard time about it. They said some really repulsive things to me and then some more kind of passive aggressive things and I wondered for a long time whether I deserved that money.”[25]  Washuta elaborates on this incident in her essay “How Much Indian Was I?’ My Fellow Students Asked” published by the Chronical of Higher Education in  2013. She said:

“That money never went to white kids, they said, so I must be an undercover genius. I’m not all white, I said. What was my SAT score, they wanted to know. My GPA? Extracurriculars? How much Indian was I? The first thing I learned in college was that white boys don’t care if you’re legitimately Indian if they think you robbed them of $100,000 in scholarship money that they’d earned holding a tuba for countless hours on a high-school football field.”[26]

If Washuta had suffered from having too little self-esteem and was unable to defeat her sense of self-doubt she may not have maintained her perfect GPA,[27] received an MFA in Creative Writing,[28] became a professor[29], and a published author of articles and books. She, however, proved to be resilient.

Washuta’s Distinct Indianness Throughout Her Evolving Sense of Self

 

Washuta’s distinct Indianness must be understood as part of her, not the only thing that defines her. She makes it clear throughout her various writings that she possesses what one interviewer described as “different threads of identity [including] race, gender, sexuality.”[30] In her memoir,[31] Washuta reveals the context that establishes who she is more holistically.

As a child and young teenager she describes herself as a Catholic school girl who “couldn’t fit in”[32] and who, despite being “bookish”[33] and with good grades, cared more about “sex tips from Cosmopolitan” than God and religion.[34]  She shares an interesting episode during Catholic school that reveals somewhat the essence of her awareness as someone who was multiethnic. She says:

“When the nuns found out I was Cowlitz Indian, they offered me Blessed Kateri Tekakwitha, the Lily of the Mohawks, as a spiritual guide. I knew nothing more than that she was holy and that I was to ask her to speak to the Lord on my behalf…I could not pray to Kateri Tekakwitha. She seemed more like one of my Native American Barbies than a saint. With her braids, and ethnically confused features, her prayer card image reminded me enough of myself that I found it impossible to venerate her.”[35]

Washuta does not talk much about her time in high school but said that “Sophomore year…I was the teacher’s pet.”[36]  She says also that “being the only Indian around got lonesome, so I took what I knew from my books and family and draped it in Indian-looking beads.”[37] Reflecting on how her sense of identity began to evolve, particularly while she was in college,  she says:

“It took some time to get the hang of being simultaneously white and Indian. But I had to be something [emphasis is Washuta’s], so I searched for an identity to sink into. Before I knew I was bipolar, and could settle into that, I had rape. It was bloody and violent and it was an injustice of the kind my [Indian] ancestors knew, I used to think.[38]

“For awhile I had to make the rape fit into my life as an Indian. It was nice to have a straight forward, academic explanation to fall back on, one involving a history of violent oppression and subjugation, something about inherited ancestral consciousness, something about how the guy who raped me was English and could trace his ancestry back to the first English settlers. Something I could tell myself so it wasn’t my own malfunction, neurosis, weakness, character flaw, not my own fault.”[39]

 

Washuta’s Distinct Indianness as Self Empowering and Combating Stereotypes of Indians

 

Washuta comes to realize however that she should not make her rape all about race.[40] Furthermore she also does not associate her bipolar disorder with some sort of inherited ancestral trauma. In fact, in reflecting on circumstances surrounding her rape, she writes fictional dialogue between herself, the rapist, and different people within the law enforcement and justice system based on her notions of the television show Law & Order: Special Victims Unit.[41] A take away here should be that in turning to Law & Order for comfort, as opposed to say, some “traditionally Native American” healing practices, Washuta is stereotype busting, showing that if there is a special way a Native American seeks dealing with rape, she does not even slightly imply it to be her approach to coping. Ultimately, Washuta deals with rape in no particular way other than Washuta’s own unique, personal way.

Washuta takes a similar action when she contemplates her bipolar disorder. She does not write about experiences of engaging in exclusively or distinctly or necessarily Native American therapies or understandings of mental disorder. Washuta does not suggest there are or are not distinct Native American understandings of mental disorder though she acknowledges there is a way some Native Americans cope when dealing with mental aguish and she does not restrict herself from contemplating it.[42] The broader point- a motif of this paper- is exactly the fact that Washuta does not restrict herself at all with respect to how much or how little ethnic influences dictate her approach to one thing or another. In one portion of her memoir, she catalogues an array of psychiatric drugs her psychiatrist had her try to treat her bi-polar disorder- documenting their technical, medical names, and describing their impact on her.[43]   In another section of the memoir she writes an imaginary letter which she pretends is from her college psychiatrist, explaining in very technical, clinical language, details of her bipolar disorder.[44]

In a rather interesting fashion, Washuta also compares her bi-polar experiences to the apparent mental anguish of two celebrities who fascinated her: Kurt Cobain, and Brittney Spears.[45] It should be noted that in this instance she relates here to white Americans, and makes no reference to relating to them for ethnic or racial reasons. To further demonstrate how she is not limited or tied down by a single cultural or ethnic group, or perception of how one should think, she makes a thoughtful remark on the infamous incident when Brittney Spears shaved her head.[46]  “Freudians consider long hair to represent the id and aggression, so they associate cutting long hair with killing sexuality… For many Indian tribes, cutting hair symbolizes a severance from the past, or mourning.”[47] Here she integrates what one might say is a “Western” way of interpreting an event, with a Native American perspective. That she happens to integrate does not make her more or less Native American. It shows one example of how a Native American would interpret events, which again, is consistent with Washuta’s belief that “learning about individual experiences …can break up monolithic stereotypes”[48] about American Indians and thus by implication, stereotypical thinking in general.

Combating stereotypes of Native Americans is important to Washuta. She elaborates on this in an interview when she is asked if she would change how “Native Americans [are] being depicted incorrectly.”[49]   Washuta responds:

“Certainly, I would like to see representations of Native people as complex humans with our own trajectories, differences, and values independent of settler lives and aims. Movies with Native characters usually take place at least 150 years ago, and Native characters appear in support of (or as a threat to) a white character’s goals. In most Hollywood depictions,[50] Native characters get to be brave, noble, savage, lusty, doomed, unintelligent, or bloodthirsty, but they don’t get to have complexity. Most representations of Natives in books and movies are created by non-Natives. I wish that were different. I wish the book-buying and movie-watching public had more interest in Native stories–the ones we tell about ourselves.”[51]

 

The issue of stereotypes is not one to take lightly, nor is the role our culture plays in perpetuating them. As was found by Peter A. Leavitt et al. : “Close examination of the population statistics and media portrayals of Native Americans reveals that they are largely invisible in contemporary American life”[52] To confirm this, the researchers “examined the first 100 image results for each of the terms ‘Native American’ and ‘American Indian’ returning 200 images total from both”[53] Google and Bing, and “found that 95.5% of Google (n = 191) and 99% of Bing (n = 198) images were historical representations. These search results highlight the extent to which media consumers are inundated with a narrow set of historical images of Native Americans.”[54]

One major psychological consideration that Leavitt et al. point out is that research suggests that stereotypes or images of racial/ethnic groups matters; that vulnerable minds associate public/media images of people within their own demographic and see within the range of stereotypical/prototypical images available, the options they may be able to identify with.[55]  Leavitt et al. explain, for example that:

“when groups who experience stereotypes about their academic abilities (e.g., women in math, Black students and intelligence) think about self-relevant role models who demonstrate competence and success, the performance-inhibiting effects of negative stereotypes are diminished. Similarly, reading about or identifying self-relevant role models increases school motivation and belonging.”[56]

Naturally, when this is lacking, psychological benefits may as well. Leavitt et al. further elaborate:

“What self-stereotyping demonstrates is that members of underrepresented groups may be motivated to identify with any available representation simply because one representation is better than no representation (i.e., absolute invisibility). The one representation, no matter how unfavorable or inaccurate, provides answers to the ‘Who am I?’ questions that people are motivated to answer and provides a reference point around which to negotiate one’s identity with others.”[57]

Just how problematic this may or may not be, I would argue, depends on certain other factors. For example, does a person who belongs to an ethnic/racial minority group only imagine him or herself based on stereotypical images of his/her ethnic/racial minority group that he or she is exposed to, or does her/she conceptualize him/herself beyond that very limited scope?

What does ethnic/racial self-consciousness “beyond that very limited scope” of stereotypical images mean? Washuta offers us a good example. As opposed to conceptualizing her Indian self stereotypically, she conceptualizes it in part by gaining an understanding the history of where she comes from.[58] As she writes in her memoir:   “I became increasingly frustrated with the notion of Indianness, feeling so far away from the reservations I so clumsily fictionalized…I thought that if I read more about the history of Native Americans…I would almost get my blood boiling enough to reduce it down to a steaming, potent syrup that would contain some legitimate Indian essence.”[59]  She adds to this later, “The story is in the details, the traumas, the histories, not the titles and labels we apply and try to pass down without context. I’ve been searching for the story, the whole beast, the blessing, the burden.”[60]

It is noteworthy that as interested in the history of her tribes as Washuta is, in her first memoir and the essays she makes available on her website, she does not make much mention of other Native American writers or contemporary thinkers throughout Native American history. One exception is a quote she cites from University of Kansas Professor of law comparing colonization to rape.[61] Colorado College[62] and University of South Dakota[63] Assistant Professor of English Natanya Ann Pulley makes this observation herself. The theme of “Native American identity,” Pulley writes, “ is not…fully developed, which one may take as a sign of a forced theme or perhaps the work of a promising, but first book writer.”[64] Pulley however questions her own criticism saying “I began to question why I, as a reader, think there is a work—one book or essay or line—out there clearly about Native American identity.”[65]

Whether Washuta’s sense of Indian identity is sufficiently explored may be open to debate but she does nonetheless explore it and does so beyond identifying with stereotypes. This kind of racial/ethnic self-consciousness, is believed to be a healthy thing, particularly among racial/ethnic minorities.[66] Researchers Yetter and Foutch write: “although ethnic minority youth tend to experience more stress than the population at large, the extant research suggests that a strong ethnic identity may moderate the effects of stress and strengthen academic and psychosocial functioning.”[67]

In Washuta’s case this appears to be true. The connection she has to her Indianness, which she shares with us in her writing illustrates a display of her affirmed self-esteem.  She writes:

“I do not think I was predestined for brokenness- this world of ours has shown itself to have no sense of order to make such a feat possible- but I’m leaning to talk to the ancestors, listen for answers, stay awake in dreams, and let those loved ones erase the muddy corners of my brain so I might learn all over again how to know anything at all.”[68]

Subsequent to the publication of her memoir Washuta described herself in this new context in an interview as a “self healer.”[69]

Washuta has used the essence of individuality inherent in a- “personal essay”-/memoir not only to combat stereotyping, but to illustrate indeed how “personal” all aspects of identity are, whether ethnic/racial, religious, sexual, career, et cetera, and further, how that ethnic aspect or element of self-identity is (for example, her Indiannness), like self-identity more broadly, complex. Washuta makes it clear that her Indianness is not in anyway to be misconstrued as having a necessarily biological component.[70] When asked in an interview what she considers the “most irritating myth about Natives” she answered “That our identities are based completely in what a DNA test might say about us (bullshit) or in what we present that’s in alignment with something someone saw in [the movie] Thunderheart (bullshit) rather than in our relationships and our roles in our communities.”[71] In light of these themes Washuta addresses it may be well worth the while to ask ourselves every now and then: are we ever stereotyping others without realizing it? Perhaps we are quick to be defensive, but as was pointed out by Leavitt et al, which I mentioned a little earlier[72], we are quite inundated with caricaturized and more historical images of Native Americans, as opposed to real, modern, holistic images. What if our inclinations to think about Native Americans in a certain way have been developing somewhat subconsciously and inaccurately because of what we have and have not been inundated with? What comes to our mind when we stop to think about Native Americans? Do we think about someone like Pocahontas or someone like Elissa Washuta?

END NOTES:

1) Peter A. Leavitt, et al. “’Frozen in Time’: The Impact of Native American Media Representations on Identity and Self-Understanding” Journal of Social Issues 71 no. 1 (March 2015)

2) Ibid., 44

3) Ibid

4) “About Elissa,” Washuta.net, accessed April 29, 2018, http://washuta.net/about-elissa

5) Elissa Washuta, “AIS Adviser Elissa Washuta Reads from My Body Is a Book of Rules on the UW Campus,” February 27, 2015, https://ais.washington.edu/news/2015/02/27/ais-adviser-elissa-washuta-reads-my-body-book-rules-uw-campus

6)“Interview with Elissa Washuta,” Elsewhere Lit, accessed April 7, 2018, http://www.elsewherelit.org/elissa-washuta/

7) Elissa Washuta, My Body Is A Book Of Rules (Pasadena, California, Red Hen Press, 2014) 157

8) Ibid.

9) “About,” Philip Lopate, accessed April 7, 2018, http://philliplopate.com/

10) Philip Lopate, The Art of the Personal Essay (New York, Anchor Books-A Disvison of Random House Inc., 1995) xxiv.

11) Ibid., xliii

12) Interview with Elissa Washuta,” Elsewhere Lit, accessed April 7, 2018, http://www.elsewherelit.org/elissa-washuta/

13)  Brief comment on Washuta’s use of the term “Idnianness.” That this should be addressed was brought to my attention upon reviewing feedback to an earlier draft of this paper. The Merriam-Webster Dictionary lists “Indianness” as a word but does not define it. (“Indian,” Merriam Webster Dictionary, accessed April 29, 2018, https://www.merriam-webster.com/dictionary/Indian) The  Oxford Living Dictionary does the same. (“Indianness,” Oxford Living Dictionary, accessed April 20, 2018, https://en.oxforddictionaries.com/definition/indianness) To keep from digressing, it seems the point to be made is that this term does not appear to be a widely defined term among prominent dictionaries. Washuta uses the term often in her writings but does not explicitly define it. Upon reviewing a vast body of her work it is my guess that she means, implicitly, Indian identity.

14)  Elissa Washuta, “I Am Not Pocahontas,” The Weeklings, September 4, 2014, http://theweeklings.com/ewashuta/2014/09/04/pocahontas/

15) American Indian Nations (Lanham, New York, Toronto, Plymouth, UK, Altamira Press A Division of Rowman & Littlefield Publishers, Inc., 2007) 315

16)  Ibid., 317

17) “What’s in a Label? Native American Identity and the Rise of a Tradition of Racism,” American Indian Nations (Lanham, New York, Toronto, Plymouth, UK, Altamira Press A Division of Rowman & Littlefield Publishers, Inc., 2007) 23

18) Elissa Washuta, “I Am Not Pocahontas,” The Weeklings, September 4, 2014, http://theweeklings.com/ewashuta/2014/09/04/pocahontas/

19) Ibid.

20) Ibid.

21) Ibid., quoted in Paul Spruhan, A Legal History of Blood Quantum in Federal Indian Law to 1935. South Dakota Law Review 51.1: 2006.

22) Ibid.

23) Cherie Newman, “Memoir Reveals Student’s Struggles With Bipolar,” Montana Public Radio, January 12, 2015,  http://mtpr.org/post/memoir-reveals-students-struggles-bipolar

24) Ibid. aprx 5:06-5:32

25) Ibid.

26) Elissa Washuta, “How Much Indian Was I?’ My Fellow Students Asked,” The Chronical of Higher Education, June 9, 2013, https://www.chronicle.com/article/How-Much-Indian-Was-I-My/139639

27)  Ibid.

28)  Ibid.

29) Ibid

30) “Interview with Elissa Washuta,” Elsewhere Lit, accessed April 7, 2018, http://www.elsewherelit.org/elissa-washuta/

31) Elissa Washuta, My Body Is A Book Of Rules (Pasadena, California, Red Hen Press, 2014)

32) Ibid., 16

33) Ibid., 24

34)  Ibid., 16

35) Ibid., 22-23

36) Ibid, 42

37) Ibid., 49

38) Ibid., 178

39) Ibid.

40) Ibid., 179

41) Ibid., 95-114

42) Ibid., 136

43) Ibid., 53-58

44) Ibid., 9-14

45) Ibid., 130-152

46) Ibid., 136

47) Ibid.

48) Interview with Elissa Washuta,” Elsewhere Lit, accessed April 7, 2018, http://www.elsewherelit.org/elissa-washuta/

49) Elizabeth Ogle, “Authors: Stories Behind The Books, Elissa Washuta,” March 10, 2016, http://www.elizabethogle.com/blog/2016/3/elissawashuta

50) In this particular interview Washuta does not give any specific examples of “Hollywood depictions” however, in her essay “I Am Not Pocahontas” she lists several, including but not limited to Dances With Wolves, Last of the Mohicans, Indian in the Cupboard and Pocahontas. One of her criticisms is that “these films relegated Native peoples to the past” (Elissa Washuta, “I Am Not Pocahontas,” The Weeklings, September 4, 2014, http://theweeklings.com/ewashuta/2014/09/04/pocahontas/)

51) Ibid.

52) Peter A. Leavitt, et al. “’Frozen in Time’: The Impact of Native American Media Representations on Identity and Self-Understanding” Journal of Social Issues 71 no. 1 (March 2015) 44.

53) Ibid.

54) Ibid.

55) Ibid., 46

56) Ibid (qtd in)

57) Ibid., 47

58) Elissa Washuta, My Body Is A Book Of Rules (Pasadena, California, Red Hen Press, 2014) 155-156, 170

59) Ibid., 155-156

60) Ibid., 170

61) Elissa Washuta, “Apocalypse Logic, ” The Offing, November 21, 2016, https://theoffingmag.com/insight/apocalypse-logic/

62)  “Natanya Pulley- Assistant Professor,” Colorado College, date accessed: April 29, 2018, https://www.coloradocollege.edu/academics/dept/english/people/profile.html?person=pulley_natanya_ann

63) “Creative Writing Workshop,” University of South Dakota, July 21, 2015, http://calendar.usd.edu/cal/event/eventView.do?b=de&calPath=/public/cals/MainCal&guid=CAL-406ca799-4e43fa52-014e-4549ac9f-00002631demobedework@mysite.edu&recurrenceId=

64) Natanya Pulley, “Natanya Pulley’s Review of My Body Is a Book of Rules,”As/Us, Accessed April 29, 2018, https://asusjournal.org/issue-4/natanya-pulleys-review-of-my-body-is-a-book-of-rules/

65) Ibid.

66) Georgette Yetter, Victoria Foutch, “Investigation of the Structural Invariance of the Ethnic Identity Scale With Native American Youth” Cultural Diversity and Ethnic Minority Psychology, 19, No. 4, 435-436

67) Ibid., 436

68) Elissa Washuta, My Body Is A Book Of Rules (Pasadena, California, Red Hen Press, 2014) 180

69) Samantha Updegrave, “Rewriting the Rules,” Bitch Media, August 13, 2014, https://www.bitchmedia.org/post/interview-elissa-washuta-body-is-a-book-of-rules-feminism

70) Nichole L. Reber, “Native Voices Won’t Be Silenced,” Electric Literature, November 1, 2016, https://electricliterature.com/native-voices-wont-be-silenced-aede8c2adc6b

71) Ibid.

72) Peter A. Leavitt, et al. “’Frozen in Time’: The Impact of Native American Media Representations on Identity and Self-Understanding” Journal of Social Issues 71 no. 1 (March 2015) 44

IDEAS THAT KILLED MILLIONS OF PEOPLE

  • HOW THE PHILOSOPHY OF ROMANTICISM CAUSED THE RISE OF HITLER, THE NAZIS, WORLD WAR 2 AND THE HOLOCAUST

How does one lost and lonely, unsuccessful artist named Adolf Hitler become responsible for the sadistic torture and murder of nearly 11 million other human beings? (Schwartz, n.d.) Moreover, how does the population of a country with a rich intellectual, individualistic culture where major industrialization, liberalism and democracy (even inclusive to women at a time when women’s suffrage was a new thing yet to sweep the world) have taken effect, freely and voluntarily give dictatorial powers to a man who openly spewed racist anti semitic comments such as “it was the Aryan alone who founded a superior type of humanity,”(Hitler, Mein Kampf) and “[the Jew] is and remains a parasite…the effect produced by his presence is also like that of the vampire” (Ibid.) and threatened violence on his fellow Germans, saying in a court hearing that “I may assure you that if the Nazi movement’s struggle is successful…there’ll be some heads chopped off…[and] we will fight…with all the means at our disposal, even with those which are illegal from the world’s point of view”(Sax, 1992); how does a country of seemingly intelligent people surrender itself to the psychotic fury and totalitarianism of an openly racist and violent man?

To provide a comprehensive answer to these questions is an extremely complex undertaking, thus many books on the subject have been written. There are many angles and contexts one can investigate to gain hindsight into how Germany was hijacked by Hitler and his Nazis- there are economic factors (Germany suffered hyperinflation and a depression), and political factors (Germany had been defeated in World War One, and so its economy and military were downsized as a result, and Germany was just beginning as a democracy and it was an extremely divided democracy at that) and there are also crucial philosophical factors.

As Dr. Leonard Peikoff wrote in his article “Nazi Politics”: “[Hitler and n]azism triumphed because Germany was ideologically ripe [italics are Peikoff’s throughout], because the intellectual groundwork had been prepared, because the country’s [fundamental- philosophical] ideas- were ready.”

Dr. Peikoff goes on to explain that ideas spread across individual cultures and that the dominant, trending ideas essentially determine the philosophy of most of the people in the country and the basic philosophy of the country, and its government. Throughout The Objectivist Peikoff writes a series of articles on this topic defining and explaining the body of philosophical ideas that primed Germany for Hitler’s Nazi takeover. Of the various philosophical ideas that Dr. Peikoff discusses (pragmatism, dogmatism, collectivism, subjectivism, romanticism et cetera) the one that stands out to me as the most consequential, and responsible for Hitler’s tragic rise is “romanticism”.

In this article I will argue  that the spread of the philosophy of romanticism in Germany from the late 1700’s to the early 1900’s is largely to blame for not only creating the monster that was Hitler and the Nazi movement, but that it was also responsible for creating within a significant portion of the population, a vulnerability and even an openness by default, to Hitler and Nazism.

To Support my argument, I am going to analyze what I believe to be the three elements of romanticism most relevant to Hitler’s rise: the romantic aesthetics, romantic epistemology and education, and romantic ethics, each, not merely as intellectual ideas, but ideas in relation to their manifestations in the history preceding Hitler’s rise.

Before I elaborate on exactly what romanticism is, and discuss its aesthetic, epistemological-educational, and ethical ideas and their impact, I think it must be noted that my assertion that romanticism is to blame for Hitler’s rise is a controversial one.

First of all, among philosophers and historians who do concede that romanticism played a part in the rise of Hitler and Nazism, they disagree on the degree in general, and in relation to other philosophical ideas (also in varying degrees) they also think are to blame.

As I mentioned about Dr. Peikoff, he emphasizes a range of ideas. In fact, more so than any specific idea, Peikoff seems to think the influence of philosopher Immanual Kant  and the idea of collectivism were more to blame than romanticism (which is not fundamentally Kantanian).

In his own words, “It is Kant who made possible the sudden mushrooming of the Platonic collectivism  and statism in the modern world, and especially in Germany,” (Peikoff, Nazi Politics II) even though Peikoff admits that Kant was not actually a statist.

In contrast, Lawrence Birken, argues, quite to the contrary that it was not romanticism that is to blame, but actually what romanticism was an opposition to. He writes that the philosophical problem “was actually a further development of the Enlightenment, a revolutionary Enlightenment which used fanaticism to destroy an older but weakened fanaticism, terror to destroy an older but milder  ‘terror’”. (Birken, 1999)

So then, what, in the most general sense, is this ‘philosophy of romanticism’ that philosophers, historians and commentators are debating about? There is not a consensus here.

Elizabeth Millan-Zaibert contends that there are types of romanticism, and that the romanticism of Germany is a specific “German Romanticism” and that even that can be divided into phases. (2004) For example, she focuses on what she terms “Early German Romanticism” which she defines as a philosophy that opposes the notion that a philosophy can have a basic, primary, fundamental principle, and one that posits that “an introduction to philosophy can only be a critique of earlier philosophy.” (Ibid.)

Dr. Leonard Peikoff agrees that there is a specific “German romanticism” but does not provide terms for different stages of “German Romanticism”. (Nazism Versus Reason) He defines “German romanticism” as “the open revolt against reason and the Enlightenment” that had its “greatest influence- in Germany…and that man’s true source of knowledge….is: feeling- or passion, or intuition, or instinct, or faith, or the subconscious.” (Ibid.)

I believe that Dr. Peikoff’s definition is accurate for as I analyze the romantic aesthetics, epistemology-education and  ethics, the most central theme throughout will be the primacy of “feeling”, especially the feelings of “passion” and “intuition.”

Indeed, I contend that a significant number of the German population, as a result of the spreading romantic philosophy, were quite literally lost in a plague of unchecked passion, and were so enthralled by Hitler’s extreme, out of the ordinary passion, that many had an intuitive feeling that his incredible passion could save them, and so they submitted themselves to him.

ROMANTIC AESTHETICS

I think it is a very important point that, to a considerable degree, romanticism was first developed by philosophers who were contemplating art and poetry in the 1790’s  and, in fact, throughout the so called romantic movement in Germany and even at the onset of the birthing political Nazi movement, the political activism was led by very artistically minded men.  (As many know, Hitler himself was a failed artist).

I say this is important to note because one may not typically think of something as esoteric as art and aesthetics as a catapult for political movements. 

In any event, of romanticism’s origin, Millan-Zaibert tells us that in the 1790’s, “[in the very early stages of [the romantic] movement [the term romantic was used in Friedrich Schlegel’s] literary criticism to denote…subjective [poetry as opposed to] classical poetry [which] was objective…”and then later, in reference to “an appreciation for the subjective elements in art [more broadly], [and] a developing interest in viewing and understanding art in terms of its history.” (2004)  

This romantic aesthetic spread, developed and endured for over a century, and in fact, remained very key to romanticism as such, as well as the beginnings of the Nazi movement.

One very influential German thinker, for example, who wrote the bestselling Rembrandt als Erzieher in 1890 (Author Fritz Stern tell us “in the first two years the book went through thirty-nine editions”) said of art that it was “the highest good, the true source of knowledge and virtue.” (Stern, 1961) However, he added that “great art could spring only from the volk(The Aryan Germanic people as a unified community and state) and that from such art knowledge could be intuitively gained. (Ibid.)

The popularity of this book, according to Stern, which I am willing to grant, indicates that a significant number of Germans either agreed with him or were open to or interested in those key ideas.

The meaning to gain here from this romantic aesthetic is that it made reason an unpopular thing in Germany, and intuition the popular replacement, but also we see an aesthetic idea that embraces racism- most notably a view of Germanic/ Aryan supremacy and the idea that good art is dependent on adhering to that racist tenant. Moreover, art, and this view of art in particular, is posited as a something like a religion- but on what grounds? This leads us to romantic epistemology.

ROMANTIC EPISTEMOLOGY AND EDUCATION 

As romanticism developed and spread as an aesthetic philosophy, so to did the importance of subjectivity- the notion that knowledge (to whatever degree a subjectivist even believes in knowledge) is to be gained by feeling, and especially intuition and not by reason.

One necessary consequence of any given epistemological foundation is going to be the education that the youth of a culture receives. If parents, teachers, and professors agree that knowledge is to be gained one way or another by feeling, then curricula and pedagogy would of course follow suit and indeed it did. As we have seen from the romantic aesthetics, an emphasis was placed on the idea that good art can only come from communion with the volk. This general obsession with the Volk in aesthetics, and in other aspects of philosophy, was called Volkish thought and was a huge element of German education in the 1800’s.

Writes George L. Mosse: “Schools were founded according to Volkish blueprints and principles. In the state schools the ideology infiltrated into the minds of the students through books, curricula and teachers. [And then the teachers and students]…spread the ideas they had picked up.” (1964)

Mosse adds that Volkish ideology in the schools was the rule, not the exception.  (Ibid.) Also, as a result of Volkish ideology in schools, antisemitism began to spread; it was believed that “[Jews] could not be expected to have sufficiently deep or sacred feelings about [the Volk, and the Volk landscapes, the Volk History] to appreciate the message.” (Ibid.) Further, it was believed and propagated that the Jews were too intellectual for German Volkish schools.

Through these romantic Volkish schools, as is evidenced by a new racism, it can further be seen how a romantic ethics can be established and taught.

ROMANTIC ETHICS

Just like romantic aesthetics, and romantic epistemology centered on “feeling”, so too did romantic ethics.

In fact, it is the romantic ethics that are the most dangerous, because it is one’s code of ethics that mandate what essentially one is going to do with one’s life, and how one will treat one’s self and others.

By saying the romantic ethics are most dangerous I mean that perhaps through a subjective epistemology at least a universal compassion is a possible direction, or even, one could intuitively feel that at least sometimes there is a time and place for reason. (For example, it could be argued that American culture of today is pragmatic-existential and allows for degrees of subjectivity, but still concedes a value in science ((which absolutely depends on reason and empiricism)) and maybe even sometimes a degree of rational consideration with respect to treatment of others. Existentialists are by nature supposed to allow tolerance towards others as it posits that everybody can define their own meaning and values.)

Unfortunately, the romantic ethics essentially dictates a worship of feeling- especially of intuition and passion. I alluded to this earlier when I mentioned that art, and romantic aesthetics was viewed somewhat religiously and as superior to science.

Bertrand Russell writes that romantics had a “proneness to emotion…the emotion of sympathy…[which was] direct and violent and quite uniformed by thought.” (1945)  (I contend that this sounds quite a bit like Adolf Hitler. No, I do not mean to say that Hitler was actually sympathetic, but I would argue that he thought he was sympathetic to the cause of the aryan race and providing them living space and making them strong and that that which he believed to by his sympathy was arguably a major motivating factor.)

It is not just an obsession with emotion, and sympathy or perceived sympathy. It is an obsession with passion. Russell adds:

“It is not the psychology of the romantics that is at fault: it is their standard of values. They admire strong passions, of no matter what kind, and whatever may be their social consequences…..most of the strongest passions are destructive- hate and resettlement and jealousy, remorse and despair, outraged pride and the fury of the unjustly oppressed, martial ardor and contempt for slaves and cowards. Hence the type of man encouraged by romanticism…is violent and anti-social, an anarchic rebel or a conquering tyrant.” [Emphasis mine] (Ibid)

Upon reading that assessment of the romanticist’s obsession with passion, I contend that a person with a basic understanding of Hitler cannot help but think of him again, as Hitler was violent, anti-social, and a tyrant.

But were the German people in general violent, anti-social tyrants? Some clearly were because they voted for the Nazis and became Nazis and participated in mass genocide. Other Germans leaned towards the other kind of passion obsessed type that Russell mentioned- the anarchic rebel.

I say that because Germany, when it was the Weimar Republic became a near de-facto anarchy, which Benjamin Sax and Dieter Kuntz describe as a “severe crisis over the distribution of power…which destroyed the parliamentary system in 1930.” (1992)

Another property of the romantic ethics was the idea that one should cultivate a strong personality. As Mosse tells us about romantic-volkish education: “The strong personality was important for the school, not the strongest intelligence.” (1964)

 Robert W. Lougee calls this a “romantic individualism” which “ stressed the uniqueness of individuals, a uniqueness which placed them beyond conformity to any general law or principle” and “Man became a law and measure unto himself” and further yet, “developing one’s own individual nature is a primary objective.”(1959) 

I would make the argument, that here too, we see the manifestation of Hitler, who was obsessed with his personality- so obsessed that he had to be the captivating, charismatic center of attention and of control and his fellow Germans were to idolize him, and never question him. Also, I believe it is true that one could see that in a culture where passion, and a strong personality, and intuition are like moral imperatives, how would one not be vulnerable to Hitler?

After all, Hitler had a strong personality, and he was extremely passionate. For a person who views such concepts as moral imperatives, and sees a man so methodically and extremely practicing them, what vision other than Hitler’s would be able to compete for their- it hurts me to say- love and worship?   

Romanticism is an extremely complex, systemic philosophy. As a philosophy that was perhaps first developed with art in mind, i.e., in the philosophical branch of aesthetics, I believe, it should make one pause for a moment, for how often does one think of theories of art as potential precursors to something like the Holocaust?

In contrast, traditionally, perhaps, at least in western, or American culture, we think of art as the realm of a safe, free self expression, or maybe we think about Leonardo da Vinci’s famous Mona Lisa.  But isn’t even that possibility quite telling of art and art theory- that is- that it has, at least, a kind of political implication.

If a certain kind of art and/or a certain kind of aesthetic becomes popular, perhaps we ought to question what the implications might be. But a subjectivist aesthetic alone, although I think it is at best a bad habit, does not have to mean a subjectivist epistemology- that is to say, perhaps one might think that in the realm of art, one should be subjective, but in matters regarding “what is knowledge?” and “how do I gain knowledge” one could still be an objectivist, or at least partly. The romantic epistemology however, does away with this possibility.

In truth, the romantic epistemology is actually extremely complex if fully examined, as it not only upholds ideas such as ‘knowledge comes from intuition, not reason”, but it further holds complex ideas as to how ones ‘intuition’ can be informed.

In fact, it is so complex that I do not believe it could be fully explained in this specific discussion, however, I would emphasize, as I mentioned earlier, that the romantic epistemology holds that intuitive knowledge comes from a religiosity towards art, and, at least according to the German romanticism, from oneness with the Volk, which thus breeds racism and did breed especially, anti-semitism, and a general culture of basic irrationality, and the German romantic volkish schools truly indoctrinated these bizarre ideas and taught what would become a truly deadly, destructive system of ethics that worshipped extreme emotion, irrational passion, and “strong personality” above intelligence and intellect.

As I have said, it is no wonder, not only that an Adolf Hitler entered the German scene, but moreover, it is also no wonder that enough German people were duped by him and democratically elected him thus enabling him to do away with the democracy he used to gain power and impose his evil tyranny. 

This is important to keep in mind because Manfred Frank claims in his book The Philosophical Foundations of Early German Romanticism that the historical connection made between romanticism and Hitler’s Nazi Germany is an “invented” one and a “cliche”, because the Nazis “hated the protagonists of early German Romanticism.” (2004)

 That some Nazis may have hated philosophers who contributed to romanticism for any reason, or that they may have rejected some aspects of various versions of or takes on romanticism is to totally miss the point: that romanticism created, within German culture, enough people with the mentality-  the obsession with irrational art, the obsession with intuition, passion, racism, irrational, whimsical as opposed to intellectual and healthy cultivation of personality (or cultivation of personality for its own sake, as opposed to truly knowing one’s self and cultivating a good self)- that could be easily become or be swayed by Hitler and the Nazis and for any one who discusses this romanticism-nazism relationship and overlooks that and/or tells others to overlook it as “cliche” and “invented” is to literally ignore facts- which is exactly what the romantic epistemology called for, thus, such a person has fallen prey to it.

REFERENCES

1 Terese Pencak Schwartz, “The Holocaust: Non-Jewish Victims” in the Jewish Virtual Library (n.d) http://www.jewishvirtuallibrary.org/jsource/Holocaust/NonJewishVictims.html  (accessed July 1st, 2016)

2 Adolf Hitler, Mein Kampf  (London, New York, Melbourne: 1939), Kindle edition, chap 11 (Kindle Location 4548)

3 Hitler, Mein Kampf. (Kindle Location 4806-4808)

4 Benjamin Sax, Dieter Kuntz, “The Triumph of National Socialism, 1929-1933” in Inside Hitler’s Germany (Lexington, MA: D.C. Heath and Company, 1992) , 108-109

5 Leonard Peikoff, “Nazi Politics” in The Objectivist original ed Ayn Rand (Irvine, Ca, Second Renaissance Inc., 1990) 599

6 Peikoff, “Nazi Politics”, 560

Peikoff, “Nazi Politics II” in The Objectivist, 625

Lawrence Birken, “Prussianism, Nazism and Romanticism in the Thought of Victor Klemperer.” The German Quarterly, Vol. 72 , No. 1 (Winter 1999)  33-43,  http://www.jstor.org/stable/407902 accessed July 2, 2016

9 Elizabeth Millan-Zaibert, “Introduction: What is Early German Romanticism” in The Philosophical Foundations of Early German Romanticism (Albany, NY: State University of New York Press, 2004) Adobe Digital Editions, 1

10 Elizabeth Millan-Zaibert, “Introduction” , 11

11 Elizabeth Millan-Zaibert, “Introduction”, 10

12 Peikoff, “Nazism Versus Reason” in The Objectivist, 724-725

13 Elizabeth Millan-Zaibert, “Introduction”, 12

 14 Fritz Stern, “Critic as Failure” in The Politics of Cultural Despair: A Study In the Rise of The Germanic Ideology (Berkley, Los Angeles and London: 1961, 1974, 1989) 109

15 Fritz Stern, “Critic as Failure” 98

16 Fritz Stern, “Critic as Failure” 138

17 Fritz Stern, “Critic as Failure” 119

18 George Mosse,  “Education Comes to the Aid.” In The Crisis of German Ideology,

(New York, NY: First Howard Fertig, Inc. 1964, 1998) 152      

19 George Mosse, “Education Comes to the Aid” 154

20 George Mosse, “Education Comes to the Aid” 155

21 George Mosse, “Education Comes to the Aid” 166

22 Bertrand Russell, “The Romantic Movement.”  In The History of Western Philosophy. (New York, NY: A Touchstone Book- Registered Trademark of Simon & Schuster, Inc. 1945, 1972.) 675

23 Bertrand Russell, “The Romantic Movement” 681

24 Benjamin Sax, Dieter Kuntz, Inside Hitler’s Germany 13

25 George Mosse, “Education Comes to the Aid” , 161

26 Robert W. Lougee “German Romanticism and Political Thought.” The Review of Politics 21, no. 4 (1959):  http://www.jstor.org/stable/1405644. 638-639

27 Manfred Frank, “On Early German Romanticism as an Essentially Skeptical Movement: The Reinhold- Fitche Connection” in The Philosophical Foundations of Early German Romanticism (Albany, NY: State University of New York Press, 2004) Adobe Digital Editions, 25